I reconcer Kaushal Mandalia,
Kotak Life Insurance, J R Kikani, Echjay Industries Private Limited, N Bhatta, KRIBHCO-Surat, Jignesh Patel, ICICI Prudential Life Insurance, Anand P Mankodia, U V Patel College of Engineering, Kajal Modi, ICICI Prudential Life
Insurance, Raju M Rathod, S P University, Nishith Bhatt, SKSBM-North Gujarat University, Rasik N Bavaria, Municipal Arts & Commerce College, J S Parmar, S P University, Manish Shah, L J Commerce College, Sonara, S P University,
Pirzada, L J Commerce College, Achyut C Patel, M T Dhamsania College, Vijay H Vyas, JVIMS-Jamnagar, Praful Patel, JVIMS-Jamnagar, Asha Alexander, JVIMS-Jamnagar, Abhijit Singh I Walla, Christ College, Jay Badiyani, R K College of
Business Management, Yagnesh Dalwadi, C Z Patel College of Business & Management, Vipul G Rakholia, Smt. S B Gardi Commerce College, Kiran Patel, SNK-Rajkot
Generally speaking, advertising is
the promotion of goods, services, companies and ideas, usually by an identified sponsor. Marketers see advertising as part of an overall promotional strategy. Other components of the promotional mix include publicity, public
relations, personal selling and sales promotion.
In ancient times the most common form of advertising was 'word of mouth'. However, commercial messages and election campaign displays were found in
the ruins of Pompeii. Egyptians used papyrus to create sales messages and wall posters. Lost-and-found advertising on papyrus was common in Greece and Rome. As printing developed in the 15th and 16th century, advertising expanded
to include handbills. In the 17th century advertisements started to appear in weekly newspapers in England.
These early print ads were used mainly to promote books (which were increasingly affordable) and medicines (which
were increasingly sought after as disease ravaged Europe and Britain). Quack ads became a problem, which ushered in regulation of advertising content.
As the economy was expanding during the 19th century, the need for
advertising grew at the same pace. In America, the classified ad became popular, filling pages of newspapers with small print messages promoting all kinds of goods. The success of this advertising format led to the growth of
mail-order advertising. In 1843 the first advertising agency was established by Volney Palmer in Philadelphia. At first the agencies were just brokers for ad space in newspapers, but by the 20th century, advertising agencies
started to take over responsibility for the content as well.
The 1960's saw advertising transform into a modern, more scientific approach in which creativity was allowed to shine, producing unexpected messages that made
advertisements interesting to read. Today, advertising is evolving even further, with "guerrilla" promotions that involve unusual approaches such as staged encounters in public places, giveaways of products such as cars
that are covered with brand messages, and interactive advertising where the viewer can respond to become part of the advertising message.
One crude but effective advertising method is to pay someone to
stand on a corner and wave a sign all day Commercial advertising media can include Chitra (outdoor advertising), street furniture components, printed flyers, radio, cinema and television ads, web banners, web popups, skywriting,
bus stop benches, magazines, newspapers, town criers, sides of buses, taxicab doors and roof mounts, musical stage shows, subway platforms and trains, elastic bands on disposable diapers, stickers on apples in supermarkets, the
opening section of streaming audio and video, and the backs of event tickets and supermarket receipts. Any place an "identified" sponsor pays to deliver their message through a medium is advertising.
commercial is generally considered the most effective mass-market advertising format and this is reflected by the high prices TV networks charge for commercial airtime during popular TV events. The world cup of cricket is known as
much for its commercial advertisements as for the game itself, and the average cost of a single thirty-second TV spot during this game has reached more charges.
Increasingly, other mediums such as those discussed below are
overtaking television due to a shift towards consumer's usage of the Internet as well as devices such as TiVo.
Advertising on the World Wide Web is a recent phenomenon. Prices of Web-based advertising space are dependent on
the "relevance" of the surrounding web content and the traffic that the website receives.
E-mail advertising is another recent phenomenon. Unsolicited bulk E-mail advertising is known as "spam". A message is
spam only when it is unsolicited and in bulk.
Some companies have proposed to place messages or corporate logos on the side of booster rockets and the International Space Station. Controversy exists on the effectiveness of
subliminal advertising and the pervasiveness of mass messages
The most common method for measuring the impact of mass media advertising is the use of the rating point (rp) or the more accurate target rating point (trp).
These two measures refer to the percentage of the universe of the existing base of audience members that can be reached by the use of each media outlet in a particular moment in time. The difference between the two is that the
rating point refers to the percentage to the entire universe while the target rating point refers to the percentage to a particular segment or target. This becomes very useful when focusing advertising efforts on a particular group
of people. For example, think of an advertising campaign targeting a female audience aged 25 to 45. While the overall rating of a TV show might be well over 10 rating points it might very well happen that the same show in the same
moment of time is generating only 2.5 trps (being the target: women 25-45). This would mean that while the show has a large universe of viewers it is not necessarily reaching a large universe of women in the ages of 25 to 45 making
it a less desirable location to place an ad for an advertiser looking for this particular demographic.
Whereas marketing aims to identify markets that will purchase a product (business) or support an
idea and then facilitate that purchase, advertising is the paid communication by which information about the product or idea is transmitted to potential consumers.
In general, advertising is used to convey availability of a
"product" (which can be a physical product, a service, or an idea) and to provide information regarding the product. This can stimulate demand for the product, one of the main objectives of advertising. More specifically,
there are three generic objectives of advertisements : communicate information about a particular product, service, or brand (including announcing the existence of the product, where to purchase it, and how to use it), persuade
people to buy the product, and keep the organization in the public eye (called institutional advertising). Most advertising blends elements of all three objectives. Typically new products are supported with informative and
persuasive ads, while mature products use institutional and persuasive ads (sometimes called reminder ads). Advertising frequently uses persuasive appeals, both logical and emotional (that is, it is a form of propaganda), sometimes
even to the exclusion of any product information. More specific objectives include increases in short or long term sales, market share, awareness, product trial, mind share, brand name recall, product use information, positioning
or repositioning, and organizational image improvement.
Examples of the ideas, informative or otherwise, that advertising tries to communicate are product details, benefits and brand information. Advertising usually seeks to
find a unique selling proposition (USP) of any product and communicate that to the user. This may take the form of a unique product feature or a perceived benefit. In the face of increased competition within the market due to
growing numbers of substitutes there is more branding occurring in advertising. This branding attributes a certain personality or reputation to a brand, termed brand equity, which is distinctive from its competition. Generally,
brand equity is a measure of the volume and homogeneity of, as well as positive and negative characteristics of, individual and cultural ideas associated with the product.
The control of
advertising translates into the control of money and power. Thus, it can and has been used for political purposes. The American culture wars between fundamentalist religious organizations on one hand, and organizations supporting
the freedom of homosexual expression on the other, are one example. In spring of 2005, the American Family Association threatened a boycott of Ford products to protest Ford's perceived support of "the homosexual agenda and
homosexual marriage." Later in the year Ford announced it was curtailing ads in a number of major gay publications, an action it claimed to be determined not by cultural but by economic factors. That statement was contradicted
by the AFA, which claimed it had a "good faith agreement" that Ford would cease such ads. Soon afterwards, as a result of a strong upcry from the gay community, Ford backtracked and announced it would continue ads in gay
publications, in response to which the AFA denounced Ford for backing out of the agreement and renewed threats of a boycott.Anti-Gay Group Renews Ford Boycott Threat.
The impact of advertising has been a
matter of considerable debate and many different claims have been made in different contexts. During debates about the banning of cigarette adervertising, a common claim from cigarette manufacturers was that cigarette advertising
does not encourage people to smoke who would not otherwise. The (eventually successful) opponents of advertising, on the other hand, claim that advertising does in fact increase consumption. According to many sources, the past
experience and state of mind of the person subjected to advertising may determine the impact that advertising has. Children under the age of four are may be unable to distinguish advertising from other television programs, whilst
the ability to determine the truthfullness of the message may not be developed until the age of eight.
Advertisers use several recognizable techniques in order to better convince the public to
buy a product and shape the public's attitude towards their product. These may include:
Appeal to emotion:
Various techniques relating to manipulating emotion are used to get people to buy a product. Apart from
artistic expression intended to provoke an emotional reaction (which are usually for associative purposes, or to relax or excite the viewer), three common argumentative appeals to emotion in product advertising are wishful
thinking, appeal to flattery, and appeal to ridicule. Appeals to pity are often used by charitable organizations and appeals to fear are often used in public service messages and products, such as alarm systems or anti-bacterial
spray, which claim protection from an outside source. Emotional appeals are becoming increasingly popular in the health industry, with large companies like 24 Hour Fitness becoming increasingly adept at utilizing a potential
customers' fear to sell memberships; selling not necessarily the actual gym, but the dream of a new body. Finally, appeals to spite are often used in advertising aimed at younger demographics.
Advertisers often attempt to associate their product with desirable imagery to make it seem equally desirable. The use of attractive models, a practice known as sex in advertising, picturesque landscapes and other alluring images
is common. Also used are "buzzwords" with desired associations. On a large scale, this is called branding.
Some advertisers concentrate on making sure their product is widely recognized.
To that end, they simply attempt to make the name remembered through repetition.
These can employ a variety of techniques; even a short phrase can have extremely heavy-handed technique.
Controversy, as in the Benetton publicity campaign.
By implying that the product is widely used, advertisers hope to convince potential buyers to "get on the bandwagon."
Advertising by association. Done in such a way so the target audience does not know that they have been advertised to, but their impression of the product is increased (or decreased) if that is
the intent of the advertiser. The focus is to promote the products or services in a way that revolves around ingenuity rather than finances in order to make a large impact, while spending as little money as possible.
Advertisers often attempt to promote the superior quality of their product through the testimony of ordinary users, experts, or both. "Three out of four dentists recommend..." This approach often
involves an appeal to authority.
By attempting to make people choose quickly and without long consideration, some advertisers hope to make rapid sales: "Buy now, before they're all gone!"
It was feared that some advertisements would present hidden messages, for example through brief flashed messages or the soundtrack, that would have a hypnotic effect on viewers ('Must buy
car. Must buy car.') The notion that techniques of hypnosis are used by advertisers is now generally discredited, though subliminal sexual messages are supposedly present in a variety of messages, ranging from car models with SX
prefixes to suggestive positioning of objects in magazine ads and billboards.
Public service advertising
The same advertising techniques used to promote commercial goods and services can be used to inform,
educate and motivate the public about non-commercial issues, such as AIDS, political ideology, energy conservation, religious recruitment, and deforestation.
Advertising, in its non-commercial guise, is a powerful
educational tool capable of reaching and motivating large audiences. "Advertising justifies its existence when used in the public interest - it is much too powerful a tool to use solely for commercial purposes." -
Attributed to Howard Gossage by David Ogilvy
Public service advertising, non-commercial advertising, public interest advertising, cause marketing, and social marketing are different terms for (or aspects of) the use of
sophisticated advertising and marketing communications techniques (generally associated with commercial enterprise) on behalf of non-commercial, public interest issues and initiatives.
Critiques of the medium
As advertising and marketing efforts become increasingly ubiquitous in modern Western societies, the industry has come under criticism of groups such as AdBusters via culture jamming which criticizes the media and consumerism using
advertising's own techniques. The industry is accused of being one of the engines powering a convoluted economic mass production system which promotes consumption. Some advertising campaigns have also been criticized as
inadvertently or even intentionally promoting sexism, racism, and ageism. Such criticisms have raised questions about whether this medium is creating or reflecting cultural trends. At very least, advertising often reinforces
stereotypes by drawing on recognizable "types" in order to tell stories in a single image or 30 second time frame. Recognizing the social impact of advertising, MediaWatch, a non-profit women's organization, works to
educate consumers about how they can register their concerns with advertisers and regulators.
Public interest groups and free thinkers are increasingly suggesting that access to the mental space targeted by advertisers
should be taxed, in that at the present moment that space is being freely taken advantage of by advertisers with no compensation paid to the members of the public who are thus being intruded upon. This kind of tax would be a
Pigovian tax in that it would act to reduce what is now increasingly seen as a public nuisance.
Public perception of the medium
Over the years, the public perception of advertising has become very negative. It
is seen as a medium that inherently promotes a lie, based on the purpose of the advertisement - to encourage the target audience to submit to a cause or a belief, and act on it to the advertising party's benefit and consequently
the target's disadvantage. They are either perceived as directly lying (stating opinions or untruths directly as facts), lying by omission (usually terms or conditions unfavorable to the customer) or portraying a product or service
in a light that does not reflect reality. It is this increased awareness of the intention of advertising, as well as advertising regulations that have increased the challenges that marketers face.
the dawn of the Internet have come many new advertising opportunities. Popup, Flash, banner, and email advertisements (the last often being a form of spam) abound. Recently, the advertising community has attempted to make the
adverts themselves desirable to the public. In one example, Cadillac chose to advertise in the movie 'The Matrix Reloaded', which as a result contained many scenes in which Cadillac cars were used.
Each year, greater sums
are paid to obtain a commercial spot during the Super Bowl. Companies attempt to make these commercials sufficiently entertaining that members of the public will actually want to watch them.
Particularly since the rise of
"entertaining" advertising, some people may like an advert enough that they wish to watch it later or show a friend. In general, the advertising community has not yet made this easy, although some have used the Internet
to widely distribute their adverts to anyone wishing to see or hear them.
Memorandum by British American Tobacco from The Tobacco Industry and the Health Risks of Smoking (TB 28) paragraph 272,
"Cigarette advertising does not cause people to smoke", presented before the House of Commons Select Committee on Health 13 January 2000, verifed 2005-12-31
Frequently asked Questions: Tobacco Advertising,
"persuades non-smokers (especially the young) to start smoking" from ASH,
Lawrence, Felicity (2004). "The Ready Meal" Kate Barker Not on the Label, 265, Penguin. ISBN 0-141-01566-7.
Andrew (1991) "Promotional Culture: Advertising, Ideology and Symbolic Expression (Theory, Culture & Society S.)", London: Sage Publications Ltd, ISBN 0803983905
Graydon, Shari (2003) "Made You Look - How
Advertising Works and Why You Should Know", Toronto: Annick Press, ISBN 1-55037-814-7
Leon, Jose Luis (1996) "Los efectos de la publicidad". Barcelona: Ariel, ISBN 84-344-1266-7
Leon, Jose Luis (2001) "Mitoanįlisis de la publicidad". Barcelona. Ariel, ISBN 84-344-1285-3